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Margaret Qualley In The Substance (2024)

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In Coralie Fargeat's brand-new feminist horror film The Substance, harmful social beauty criteria are actually the genuine creatures. They (female objectification, the disposal of "the outdated," the expansion of a field built on body system customization) feed a monster of a pattern that leads Demi Moore's fading TV individuality https://deanparisot-movies.blogs100.com/30450811/the-substance
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